François Couperin, Musica ad Rhenum, Jed Wentz made "Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement" available on 2006. The duration of Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 88 out of 88 in Couperin: Chamber Music, Vol. 1/2 by François Couperin, Musica ad Rhenum, Jed Wentz. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerts royaux, Quatriéme Concert: VII. Forlane Rondeau. Gayement by François Couperin, Musica ad Rhenum, Jed Wentz is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La villageoise | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 152 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Jean Rondeau | B Major | 0 | 1B | 83 BPM | ||
Double du Rossignol: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |