Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau made "3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda" available on January 26, 2024. The duration of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": IV. Sorge l'aurora. Allegro | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Sonata in D Minor for Violin and Continuo, Book III No. 10: IV. Grasioso | Jean-Baptiste Quentin, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: IV. Allegretto gratioso | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Seconde Leçon du premier jour: Teth. Sordes ejus in pedibus | Michel Lambert, Marc Mauillon, Myriam Rignol, Thibaut Roussel, Marouan Mankar-Bennis | E Major | 1 | 12B | 130 BPM | ||
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo | Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies Françoises | F♯ Minor | 2 | 11A | 115 BPM | ||
Will Ye Go to Flanders | Anonymous, Anna Besson, Reinoud Van Mechelen, A Nocte Temporis | A Major | 3 | 11B | 52 BPM | ||
Prélude | Etienne Lemoyne, Myriam Rignol | G Minor | 2 | 6A | 112 BPM | ||
Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM |