Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst's ' "Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables" was released on its scheduled release date, October 16, 2020. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst's "Les Années (16)80 : Lully enflamme les passions à Paris et à Versailles" album is number 15 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables by Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Alceste, LWV 50: 2ème Air, Les Démons (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 4 | 4A | 57 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | ||
Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM |