"Missa Azzolina: Agnus Dei" by Orazio Benevoli, Le Concert Spirituel, Herve Niquet was released on May 23, 1996. The duration of Missa Azzolina: Agnus Dei is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Missa Azzolina: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 11 in Benevolo: Missa Azzolina / Magnificat / Dixit Dominus by Orazio Benevoli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Missa Azzolina: Agnus Dei is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Azzolina: Agnus Dei by Orazio Benevoli, Le Concert Spirituel, Herve Niquet is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
Médée, H. 491, Act II: Récit. "Prince, venez apprendre" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Thomas Dolie | G Minor | 3 | 6A | 64 BPM | ||
Médée, H. 491, Act II: Trio et chœur. "D'un amant qui veut plaire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Jehanne Amzal, Marine Lafdal-Franc, David Tricou | C Minor | 1 | 5A | 87 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Byrd: Mass for Five Voices - 11. Agnus Dei | William Byrd, Peter Phillips, The Tallis Scholars | E Major | 0 | 12B | 77 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Daphnis et Chloé, Op. 102, Act II: Hélas! | Joseph Bodin de Boismortier, Gaëlle Méchaly, Francois-Nicolas Geslot, Le Concert Spirituel, Herve Niquet | F♯ Major | 1 | 2B | 135 BPM | ||
Le carnaval de Venise: Overture | André Campra, Salomé Haller, Marina de Liso, Andrew Foster-Williams, Alain Buet, Mathias Vidal, Sarah Tynan, Blandine Staskiewicz, Luigi De Donato, Le Concert Spirituel, Herve Niquet | E♭ Major | 2 | 5B | 61 BPM | ||
L'île du rêve, Acte 1: I. Scène. Ô pays de Bora-Bora | Reynaldo Hahn, Munich Radio Orchestra, Herve Niquet, Chœur du Concert Spirituel, Hélène Guilmette | E♭ Major | 1 | 5B | 82 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM |