Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Jehanne Amzal, Marine Lafdal-Franc, David Tricou made "Médée, H. 491, Act II: Trio et chœur. "D'un amant qui veut plaire"" available on January 5, 2024. With Médée, H. 491, Act II: Trio et chœur. "D'un amant qui veut plaire" being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 120 in Charpentier: Médée by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Médée, H. 491, Act II: Trio et chœur. "D'un amant qui veut plaire" is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Médée, H. 491, Act II: Trio et chœur. "D'un amant qui veut plaire" by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Jehanne Amzal, Marine Lafdal-Franc, David Tricou is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum H146 - Prélude en Rondeau | Marc-Antoine Charpentier, Marzoratti Arnaud, Gester Martin, Le Parlement De Musique, Maîtrise de Bretagne, Salomé Haller, Brigitte Chevigné, François-n Geslot, Stephan Van Dyck | B♭ Major | 2 | 6B | 89 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Requiem In C Major: XIV. Offertorium, Domine Jes | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire | A Major | 1 | 11B | 0 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites" | Marc-Antoine Charpentier, A Nocte Temporis, Reinoud Van Mechelen, Geoffroy Buffière, Stefanie True, Vox Luminis, Lionel Meunier | C Major | 1 | 8B | 139 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM |