"Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 4 out of 35. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petits Motets: Ave coeli | Jean-Baptiste Lully, Gérard Lesne, Jean-Paul Fouchécourt, François Fauche, Les Arts Florissants, William Christie | B Major | 1 | 1B | 70 BPM | ||
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 73 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
"Ich hatte viel Bekümmernis" BWV 21 | Johann Sebastian Bach, Ton Koopman | G Minor | 1 | 6A | 115 BPM | ||
L'Idylle sur la Paix de Jean Racine, LWV 68: Air de dessus / Ritournelle de violons et flutes / Air de dessus | Jean-Baptiste Lully, Françoise Masset, Julie Hassler, Jean-Francois Lombard, Patrick Aubailly, Arnaud Marzorati, La Simphonie Du Marais, Hugo Reyne | E Major | 0 | 12B | 113 BPM | ||
Concerto Armonico No. 4 in G Major: Da capella non presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 3 | 2B | 108 BPM |