Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon's 'Overture in F Major, Op. 8, No. 3: II. Andante' came out on March 1, 2006. With Overture in F Major, Op. 8, No. 3: II. Andante being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. In terms of popularity, Overture in F Major, Op. 8, No. 3: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture in F Major, Op. 8, No. 3: II. Andante by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Violin Concerto in G Major, Op. 3, No. 9: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | ||
Alessandro nell'Indie: Overture: II. Andante | Domenico Cimarosa, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 123 BPM | ||
Intermedes de Xerxes: 2e Air pour les postures de Scaramouche | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 88 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
6 Quartetto concertans, No. 1 in B-Flat Major: II. Gratioso | Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet | B♭ Major | 1 | 6B | 90 BPM |