"Intermedes de Xerxes: 2e Air pour les postures de Scaramouche" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. The duration of Intermedes de Xerxes: 2e Air pour les postures de Scaramouche is about 3 minutes long, at 3:15. Based on our data, "Intermedes de Xerxes: 2e Air pour les postures de Scaramouche" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 15 out of 35. Intermedes de Xerxes: 2e Air pour les postures de Scaramouche is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermedes de Xerxes: 2e Air pour les postures de Scaramouche by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: I. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 92 BPM | ||
Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 73 BPM | ||
Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) | Johann Heinrich Schelmzer, Masques, Olivier Fortin | A♭ Major | 1 | 4B | 112 BPM | ||
Symphony in C Minor, J-C 9: II. Affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 83 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: And believed the Lord and His servant Moses (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: III. Laudamus te: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 183 BPM |