"Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer)" by Johann Heinrich Schelmzer, Masques, Olivier Fortin was released on March 21, 2006. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 19 out of 29. In terms of popularity, Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) by Johann Heinrich Schelmzer, Masques, Olivier Fortin to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | D♭ Minor | 3 | 12A | 103 BPM | ||
Mensa sonora / PARS II (In F Major): 3. Sarabanda (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 100 BPM | ||
Sinfonia avanti la Serenata: IV. Grave | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Major | 0 | 1B | 56 BPM | ||
Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D Minor | 0 | 7A | 81 BPM | ||
Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto | Johann Gottlieb Graun, London Baroque | F♯ Minor | 2 | 11A | 61 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: II. Allegro ma non troppo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
Sarabanda Amorosa (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 1 | 1A | 137 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM |