"Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I)" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1988. The duration of Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Suite Premiere -Viii. Chaconne (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 68 BPM | ||
Violin Sonata No. 5 in G Major: I. Adagio - Presto - Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Symphony in A Major, Op. 3 No. 5, WolS A2: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B♭ Major | 0 | 6B | 115 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Partie 1 en fa majeur: Ballet - variatio | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | E Major | 2 | 12B | 155 BPM | ||
6 Sonates mêlées de pièces, Op. 2: Flute Sonata No. 2 in D Minor, "La Vibray": III. Gavotta, "Les Caquets": Moderato | Michel Blavet, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Minor | 0 | 5A | 81 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM |