"La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites"" by Marc-Antoine Charpentier, A Nocte Temporis, Reinoud Van Mechelen, Geoffroy Buffière, Stefanie True, Vox Luminis, Lionel Meunier was released on January 10, 2020. With La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 32 in Charpentier: Orphée aux enfers by Marc-Antoine Charpentier, A Nocte Temporis, Reinoud Van Mechelen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites" by Marc-Antoine Charpentier, A Nocte Temporis, Reinoud Van Mechelen, Geoffroy Buffière, Stefanie True, Vox Luminis, Lionel Meunier is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |