"Requiem In C Major: XIV. Offertorium, Domine Jes" by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire was released on April 1, 2008. The duration of Requiem In C Major: XIV. Offertorium, Domine Jes is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Requiem In C Major: XIV. Offertorium, Domine Jes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's "Hasse: Requiem" album is number 14 out of 29. On top of that, France appears to be the country where this track was created. Requiem In C Major: XIV. Offertorium, Domine Jes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In C Major: XIV. Offertorium, Domine Jes by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire to be Larghissimo because the track has a tempo of 0 テンポ, a half-time of 0テンポ, and a double-time of 0 テンポ. Based on that, the speed of the song's tempo is slow.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 3 | 10A | 110 BPM | ||
La luna | Esteban Colucci, Susanna Moncayo Von Hase | E Minor | 1 | 9A | 86 BPM | ||
Missa S. Marcellini: XII. Credo - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 110 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Gloria in excelsis Deo | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | ||
Paratum cor meum: II. Confitebor tibi in populis | Nicolaus Bruhns, Ricercar Consort, Guy De Mey, Ian Honeyman | E Minor | 2 | 9A | 138 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa S. Marcellini: XV. Et incarnatus est - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 84 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 3, Im Treibhaus | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM |