John Dowland, Fretwork's 'M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares' came out on December 1, 1993. With M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 21 in Dowland - Lachrimae by John Dowland, Fretwork, Christopher Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares by John Dowland, Fretwork is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mr. Langton's Galliard, P 33 | John Dowland, Paul O'Dette | G Major | 1 | 9B | 115 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
A l'eure que ie vous | Josquin des Prez, Harmonia Recorder Ensemble | C Major | 0 | 8B | 69 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
En actendant | Alexander Agricola, Fretwork, Michael Chance | F Major | 1 | 7B | 62 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Byrd: Prelude & Goodnight Ground a 5 | William Byrd, Fretwork | E♭ Major | 1 | 5B | 84 BPM |