Joseph Bodin de Boismortier, Gaëlle Méchaly, Francois-Nicolas Geslot, Le Concert Spirituel, Herve Niquet's 'Daphnis et Chloé, Op. 102, Act II: Hélas!' came out on June 26, 2020. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 43 in Boismortier: Daphnis et Chloé, Op. 102 by Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Daphnis et Chloé, Op. 102, Act II: Hélas!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Daphnis et Chloé, Op. 102, Act II: Hélas! by Joseph Bodin de Boismortier, Gaëlle Méchaly, Francois-Nicolas Geslot, Le Concert Spirituel, Herve Niquet is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: I. Prélude, Lentement | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite No. 5 in G minor for recorder & b.c. – Allemande | Pierre-Danican Philidor, László Rózsa, Jonathan Rees, Alex McCartney | F♯ Minor | 1 | 11A | 80 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Sonata No.6 in D Major, Op. 50: II. Allegro | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Don Quichotte chez la duchesse, op. 97: Acte II, Scène 1 : Séjour funeste (Altisidore, Sancho Pança, Don Quichotte, chœur) | Joseph Bodin de Boismortier, Ensemble Caprice, Sonate 1704, Matthias Maute, Catherine St-Arnaud, Dorothéa Ventura, Catherine Ledoux, Arthur Tanguay-Labrosse, Dominique Côté, Geoffroy Salvas | B♭ Major | 2 | 6B | 132 BPM | ||
Fragmens melodiques, ou Simphonies en trio, Op. 65: Menuet | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | D♭ Minor | 3 | 12A | 82 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM |