"4 Songs of Love: No. 2, Until the Daybreak" by Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen was released on May 1, 2014. The duration of 4 Songs of Love: No. 2, Until the Daybreak is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 4 Songs of Love: No. 2, Until the Daybreak's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Förvårskväll by Sofia Vokalensemble, Bengt Ollen. 4 Songs of Love: No. 2, Until the Daybreak is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Songs of Love: No. 2, Until the Daybreak by Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 2, Holy God | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | E♭ Minor | 0 | 2A | 136 BPM | ||
Thou Wilt Keep Him in Perfect Peace | Samuel Sebastian Wesley, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 134 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM |