"Vespro della beata Vergine (1610): Concerto - Duo Seraphim" by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players was released on January 1, 1984. With this song being about 5 minutes long, at 4:53, "Vespro della beata Vergine (1610): Concerto - Duo Seraphim" by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vespro della beata Vergine 1610 by Claudio Monteverdi, Andrew Parrott. The song's track number on the album is #4 out of 36 tracks. Vespro della beata Vergine (1610): Concerto - Duo Seraphim is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vespro della beata Vergine (1610): Concerto - Duo Seraphim by Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vespro della beata Vergine (1610): Concerto - Duo Seraphim being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
Gira il nemico - (G. Strozzi)/Madrigali Guerrieri et Amorosi (Book VIII): e) "Non è più tempo" | Claudio Monteverdi, Luigi Alva, Ryland Davies, Stafford Dean, Raymond Leppard, Joy Hall | G Minor | 2 | 6A | 75 BPM | ||
Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] | William Christie | F Major | 2 | 7B | 73 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 41: No. 2, Bevea Fillide mia e nel ber dolcemente | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rossana Bertini, Rosa Dominguez, Claudio Cavina, Sandro Naglia, Daniele Carnovich | D♭ Minor | 0 | 12A | 73 BPM | ||
Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM |