"Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight" by Thomas Tallis, The Tallis Scholars, Peter Phillips was released on April 1, 1986. With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Thomas Tallis - The Complete English Anthems". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight by Thomas Tallis, The Tallis Scholars, Peter Phillips having a テンポ of 191 with a half-time of 96 テンポ and a double-time of 382 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Io parto e non piu dissi | Carlo Gesualdo, Ensemble Métamorphoses, Maurice Bourbon | A Minor | 0 | 8A | 80 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM |