"Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius was released on February 1, 1989. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 2 out of 14. Based on our statistics, Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Dona Nobis Pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 77 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Hör mein Bitten, WoO 15 | Felix Mendelssohn, Julia Hamari, Ensemble '76 Stuttgart, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 2 | 5B | 101 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Requiem: IX. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | F Minor | 2 | 4A | 110 BPM | ||
Oster-Oratorium, BWV 249: III. Kommt, eilet und laufet | Johann Sebastian Bach, Jan Kobow, Gotthold Schwarz, Barockorchester Stuttgart, Kammerchor Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 184 BPM | ||
Hymnen, Op. 140: Nr. 2 Dextera Domini | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 78 BPM | ||
Mass in G Minor: Credo | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Hugh Cutting, Peter Lidbetter, William Ashford, Michael Bell, Gopal Kambo, Andrew Nethsingha | C Major | 1 | 8B | 88 BPM |