Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens made "Requiem: IX. Requiem" available on October 5, 2009. With Requiem: IX. Requiem being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Bruckner: Requiem, Duruflé: Requiem - A History of Requiem, Part III by Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Requiem: IX. Requiem is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Requiem: IX. Requiem by Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell | Anton Bruckner, Bavarian Radio Symphony Orchestra, Bernard Haitink | F Major | 1 | 7B | 127 BPM | ||
Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM |