Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk's 'Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed' came out on April 1, 2006. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Tchaikovsky: Liturgy of St. John Chrysostom". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. The popularity of Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk having a テンポ of 165 with a half-time of 82 テンポ and a double-time of 330 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat | Sir Charles Villiers Stanford, Choir of New College, Oxford, Christopher Glynn, Edward Higginbottom | G Major | 1 | 9B | 78 BPM | ||
O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VII. Lord Have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Ego sum pastor bonus | Wacław of Szamotuły, Collegium Vocale Bydgoszcz | F♯ Minor | 1 | 11A | 97 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Missa pastoril para a noite de Natal: Et incarnatus est | José Maurício Nunes Garcia, Martina Fausch, Vera Ehrensperger, Ensemble Turicum, Mathias Weibel, Luiz Alves Da Silva | G Minor | 0 | 6A | 76 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM |