"Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas" by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz was released on March 9, 2010. With Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 16 in Franck & Gounod: Sept paroles du Christ en croix by Michel Corboz, Ensemble Vocal de Lausanne. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de Genève | G Major | 0 | 9B | 109 BPM | ||
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Songs from "Des Knaben Wunderhorn": XI. Urlicht (Transcr. Gottwald for Choir) | Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 134 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM |