"Songs from "Des Knaben Wunderhorn": XI. Urlicht (Transcr. Gottwald for Choir)" by Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed was released on December 1, 2012. Songs from "Des Knaben Wunderhorn": XI. Urlicht (Transcr. Gottwald for Choir) is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 5 out of 12 in Clytus Gottwald - Alma und Gustav Mahler by SWR Vokalensemble Stuttgart, Marcus Creed, Alma Mahler, Gustav Mahler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Songs from "Des Knaben Wunderhorn": XI. Urlicht (Transcr. Gottwald for Choir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs from "Des Knaben Wunderhorn": XI. Urlicht (Transcr. Gottwald for Choir) by Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Jungfrau, rein im schönsten Sinne | Gustav Mahler, Simon O'Neill, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 3 | 5B | 72 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Rückert-Lieder (Arr. for piano by Andreas J. Winkler): No. 2, Ich atmet' einen linden Duft | Gustav Mahler, Carmen Stefanescu | B♭ Major | 0 | 6B | 132 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM |