"St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion"" by Johann Sebastian Bach, The Hilliard Ensemble was released on September 14, 2001. With St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 22 in Bach: Morimur by Johann Sebastian Bach, The Hilliard Ensemble, Christoph Poppen. St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" by Johann Sebastian Bach, The Hilliard Ensemble is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Dum transisset Sabbatum | John Taverner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 76 BPM | ||
Missa pro defunctis: II. Kyrie | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Guerrero: Dixit Dominus Petro | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |