Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda's 'Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck)' had a release date set for April 5, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #9. The popularity of Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) by Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Fünf Lieder nach Gedichten von Friedrich Rückert | Gustav Mahler, Friedrich Rückert, Dagmar Peckova, Jiří Bělohlávek, Prague Chamber Philharmonic Orchestra | C Minor | 1 | 5A | 84 BPM | ||
Songs of the Half-Light, Op. 65: No. 2, Full Moon | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | B Minor | 0 | 10A | 88 BPM | ||
Messa di Gloria: IV. Gratias | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | B Minor | 6 | 10A | 83 BPM | ||
Der Fischerknabe S 292b/2 | Franz Liszt, Diana Damrau | G Major | 4 | 9B | 94 BPM | ||
Kapitel 4.2 - Katzengeschichten von Goethe bis Tucholsky | Kurt Tucholsky, Gustav Schwab, Friedrich Rückert | D♭ Minor | 1 | 12A | 82 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night) | Robert Schumann, Margaret Price, James Lockhart | A Major | 2 | 11B | 123 BPM | ||
Gretchen am Spinnrade, D. 118 | Franz Schubert, Bernarda Fink, Gerold Huber | B Minor | 1 | 10A | 100 BPM |