"Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night)" by Robert Schumann, Margaret Price, James Lockhart was released on July 1, 2016. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schumann: Lieder". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night) by Robert Schumann, Margaret Price, James Lockhart having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder: No. 5. Ich wandle unter Blumen | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | F Minor | 2 | 4A | 109 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Das Veilchen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | F Major | 0 | 7B | 136 BPM | ||
6 Gesange, Op. 3: No. 2. Liebe und Fruhling I | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | D Major | 0 | 10B | 97 BPM | ||
Semele / Act 2: Oh sleep, why dost thou leave me? | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E♭ Major | 1 | 5B | 168 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Poèmes pour Mi, Premier Livre: No. 3, La Maison | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | C Major | 1 | 8B | 93 BPM |