"Semele / Act 2: Oh sleep, why dost thou leave me?" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket was released on January 1, 2004. The duration of Semele / Act 2: Oh sleep, why dost thou leave me? is about 3 minutes long, at 3:15. Based on our data, "Semele / Act 2: Oh sleep, why dost thou leave me?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #1. The popularity of Semele / Act 2: Oh sleep, why dost thou leave me? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semele / Act 2: Oh sleep, why dost thou leave me? by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a テンポ of 168 with a half-time of 84 テンポ and a double-time of 336 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 57 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6 HWV 324: IV. Allegro | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley | F♯ Minor | 2 | 11A | 130 BPM | ||
Il nascimento dell’Aurora: “Aure andate e baciate” | Tomaso Albinoni, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | B Major | 4 | 1B | 116 BPM | ||
Concerto for Oboe, Strings and B.c. "Voli per l'aria": Largo ("Where'er You Walk" from Oratorio 'Semele', HWV 58) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 108 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Serse, HWV 40 / Act 1: "Frondi tenere e belle...Ombra mai fù" | George Frideric Handel, Dame Janet Baker, English Chamber Orchestra, Raymond Leppard | F Major | 0 | 7B | 84 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM |