On 1971, the song "Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro" was released by Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields. Since Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 1 out of 30. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro by Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti | D Minor | 2 | 7A | 83 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): III. Rondeau. Tempo di minuetto | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | F Major | 2 | 7B | 97 BPM | ||
Mazurka No.4 In E Flat Minor Op.6 No.4 | Frédéric Chopin, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 141 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto) | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | B Minor | 0 | 10A | 106 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Quintet No. 3 in C Major, G. 439: III. Andante con variazioni | Luigi Boccherini, Jean-Pierre Rampal, Régis Pasquier, Roland Pidoux, Mathilde Sternat, Bruno Pasquier | B♭ Major | 2 | 6B | 146 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM |