"Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti was released on January 1, 1991. The duration of Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio is about 3 minutes long, at 3:12. Based on our data, "Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 18 in Albinoni: 6 Oboe Concertos by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, Maria Teresa Garatti, I Musici. Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Alceste, HWV 45 / Act I: Grand Entrée: Maestoso | George Frideric Handel, Michael Laird, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 119 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Telemann : Concerto for viola G Major: 3 Largo | Conrad Zwicky , Playaden Ensemble | E Minor | 1 | 9A | 127 BPM | ||
Concerto for Strings and Continuo in F minor, RV 143: 2. Adagio | Antonio Vivaldi, I Musici | F Minor | 1 | 4A | 80 BPM | ||
Concerto a 5 in C, Op.7, No.12 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici | A Minor | 1 | 8A | 174 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Oboe Concerto in C: 4. Allegro giusto | Domenico Cimarosa, Heinz Holliger, I Musici | C Major | 2 | 8B | 112 BPM | ||
Symphony in F Major, J-C 36: I. Presto | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | F Major | 1 | 7B | 75 BPM | ||
Concierto Para Dos Oboes, 2 Trompas, Violin, Bajos Y Organo En Fa Mayor Rv 571. Largo | Filarmónica Y Coro De Praga | A Major | 0 | 11B | 131 BPM |