François Couperin, Iddo Bar-Shaï's 'Le Rossignol-en-Amour: 14ème ordre, 3ème livre' came out on February 25, 2013. The duration of Le Rossignol-en-Amour: 14ème ordre, 3ème livre is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Le Rossignol-en-Amour: 14ème ordre, 3ème livre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 25 in Couperin: Les Ombres Errantes by François Couperin, Iddo Bar-Shaï. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Le Rossignol-en-Amour: 14ème ordre, 3ème livre is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Rossignol-en-Amour: 14ème ordre, 3ème livre by François Couperin, Iddo Bar-Shaï is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 94 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Double du Rossignol: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM |