Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment made "Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro]" available on 1989. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Brandenburg Concertos by Johann Sebastian Bach, Orchestra of the Age of Enlightenment/Monica Huggett/Elizabeth Wallfisch/Catherine Mackintosh/Alison Bury, Orchestra of the Age of Enlightenment. The popularity of Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] by Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Chorus "Ho ho ho, ho ho ho!" | Henry Purcell, Dominique Visse, Orchestra of the Age of Enlightenment, Robin Blaze, Stephen Wallace, Rosemary Joshua, Gerald Finley, Maria Cristina Kiehr, Lynne Dawson, John Bowen, Susan Bickley, René Jacobs | E Major | 3 | 12B | 169 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Jaap Schröder, Christopher Hirons, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 2 | 12A | 98 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, Alan Civil, Shirley Hopkins, Karl Steins, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 99 BPM |