Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")" available on 1958. With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #3 out of 26 tracks. Based on our statistics, Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") by Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being at 124 テンポ, the half-time would be 62 テンポ with a double-time of 248 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Easy" | Leonard Bernstein | D Major | 1 | 10B | 97 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | ||
Die Dreigroschenoper: Anstatt-daß-Song | Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 100 BPM | ||
Plank Round | Linda Eder, Daniel Narducci, Alaxander Frey | F Minor | 5 | 4A | 114 BPM |