Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri made "Die Dreigroschenoper: Anstatt-daß-Song" available on January 1, 1988. With Die Dreigroschenoper: Anstatt-daß-Song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #4 out of 27 tracks. In terms of popularity, Die Dreigroschenoper: Anstatt-daß-Song is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Die Dreigroschenoper: Anstatt-daß-Song by Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Anstatt-daß-Song being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto "Eleven Eleven": II. Spietato | Danny Elfman, John Mauceri, Royal Scottish National Orchestra | D Major | 4 | 10B | 150 BPM | ||
Die Moorsoldaten | Hannes Wader | E♭ Minor | 5 | 2A | 107 BPM | ||
Frühlingslied (Tauben vergiften) | Georg Kreisler | F Major | 5 | 7B | 114 BPM | ||
Meine Lippen, sie küssen so heiß | Franz Lehár, Sylvia Geszty, Werner Schmidt-Boelcke | E Major | 3 | 12B | 146 BPM | ||
Mein lieber Schatz, bist du aus Spanien? - 1990 Digital Remaster | Comedian Harmonists | A♭ Major | 4 | 4B | 156 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - "Your Flight Was Smooth, I Hope?" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 98 BPM | ||
Finale: Make Our Garden Grow | Leonard Bernstein, John Mauceri, New York City Opera Chorus and Orchestra, John Lankston, David Eisler, Erie Mills, Scott Reeve, Maris Clement, Joyce Castle | D♭ Major | 3 | 3B | 81 BPM | ||
Das Land des Lächelns: Dein ist mein ganzes Herz | Franz Lehár, Rudolf Schock, Robert Stolz | D♭ Major | 3 | 3B | 81 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 131 BPM | ||
Nessaja | Peter Maffay, Mario Adorf | B♭ Major | 2 | 6B | 89 BPM |