Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski made "La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda)" available on September 2, 2005. The duration of La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Offenbach: La Grande Duchesse de Gerolstein". In this album, this song's track order is #4. La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda) by Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Orpheus in the Underworld: Cancan - Single Version | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 5 | 10B | 152 BPM |