Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker made "Orpheus in the Underworld: Cancan - Single Version" available on September 9, 2016. The duration of Orpheus in the Underworld: Cancan - Single Version is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Orpheus in the Underworld: Cancan - Single Version's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Classical Masterworks, so we believe that "Orpheus in the Underworld: Cancan - Single Version" is a single. Based on our statistics, Orpheus in the Underworld: Cancan - Single Version's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Orpheus in the Underworld: Cancan - Single Version by Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 152 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 6 | 5B | 86 BPM | ||
Heinzelmännchen | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 1 | 5B | 94 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Phönix-Marsch, Op. 105 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 4 | 5B | 108 BPM | ||
Czardas | Vittorio Monti, Josef Sakonov, London Festival Orchestra | D Major | 4 | 10B | 82 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM |