"Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation)" by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) is about 3 minutes long, at 3:11. Based on our data, "Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 10. Candide Begins His Travels - 10a. It Must Be Me (Candide's Second Meditation) by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: 10. Fac ut portem | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Minor | 1 | 12A | 76 BPM | ||
Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
Kullervo, Op. 61: Act I Scene 2: Mina tahdon olla tuoksuva ja lammin kuin nuori leipa (Smith's Young Wife) | Aulis Sallinen, Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Anna-Lisa Jakobsson, Pertti Makela, Juha Kotilainen, Paula Etelavuori, Marko Putkonen, Matti Heinikari, Esa Ruuttunen, Vesa-Matti Loiri, Finnish National Opera Chorus, Finnish National Opera Orchestra, Ulf Söderblom | A♭ Major | 0 | 4B | 79 BPM | ||
Symphony No. 8, Zweiter Teil: X. Uns bleibt ein Erdenrest | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Lilli Paasikivi, Johan Botha | E♭ Major | 1 | 5B | 122 BPM | ||
Wagner: Tannhäuser, Act 1: "Geliebter! Komm, sieh dort die Grotte" (Venus, Sirenen) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Waltraud Meier | F Major | 1 | 7B | 82 BPM | ||
Man of La Mancha: I'm Only Thinking of Him | Mitch Leigh, Carolann Page, Jerry Hadley, Rosalind Elias, Paul Gemignani, American Theatre Orchestra | B♭ Minor | 1 | 3A | 139 BPM | ||
Enigma Variations: Variation V. R.P.A - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 76 BPM | ||
38. Away with them, and place them at the bar | Arthur Sullivan, Christene Palmer, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 0 | 5B | 117 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM |