Edward Elgar, Sir Colin Davis, London Symphony Orchestra's 'Enigma Variations: Variation V. R.P.A - Moderato' came out on June 5, 2007. The duration of Enigma Variations: Variation V. R.P.A - Moderato is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Enigma Variations: Variation V. R.P.A - Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Enigma Variations: Variation V. R.P.A - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation V. R.P.A - Moderato by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Scherzo. Allegro molto | Sergei Rachmaninoff, André Previn, London Symphony Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM | ||
Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Mother Goose: IV. Les entretiens de la belle et de la bête | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Major | 0 | 8B | 39 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM |