"Mother Goose: IV. Les entretiens de la belle et de la bête" by Maurice Ravel, Barry Wordsworth, London Symphony Orchestra was released on January 1, 2005. Mother Goose: IV. Les entretiens de la belle et de la bête is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #23. Mother Goose: IV. Les entretiens de la belle et de la bête is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mother Goose: IV. Les entretiens de la belle et de la bête by Maurice Ravel, Barry Wordsworth, London Symphony Orchestra having a テンポ of 39 with a half-time of 20 テンポ and a double-time of 78 テンポ, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in Three Movements: I. Crotchet = 160 | Igor Stravinsky, Valery Gergiev, London Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 0 | 6A | 81 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': I. Allegro vivace | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Major | 1 | 9B | 80 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 3. Scherzo (Allegro feroce) | Antonín Dvořák, London Symphony Orchestra, István Kertész | C Major | 2 | 8B | 115 BPM |