Arthur Sullivan, Christene Palmer, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "38. Away with them, and place them at the bar" available on January 1, 1968. With 38. Away with them, and place them at the bar being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 24 out of 40. In terms of popularity, 38. Away with them, and place them at the bar is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 38. Away with them, and place them at the bar by Arthur Sullivan, Christene Palmer, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Candide / Act I: 2. Life Is Happiness Indeed | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Major | 2 | 9B | 120 BPM | ||
Trial by Jury: "For These Kind Words" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | G Major | 3 | 9B | 88 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 / Act 2: "Una donna a quindici anni" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 70 BPM | ||
Sullivan: The Mikado or The Town of Titipu, Act 2: No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko) | Arthur Sullivan, Richard Lewis/Elsie Morison/Marjorie Thomas/Ian Wallace/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | A Major | 1 | 11B | 161 BPM | ||
Per la gloria d'adoravi (from Griselda) | Dame Joan Sutherland, Richard Bonynge | D Major | 1 | 10B | 71 BPM |