"4 Letzte Lieder, TrV 296: No. 2, September" by Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra was released on 1979. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "R. Strauss: Four Last Songs; Orchestral Songs". In this album, this song's track order is #2. In terms of popularity, 4 Letzte Lieder, TrV 296: No. 2, September is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Letzte Lieder, TrV 296: No. 2, September by Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato | Ralph Vaughan Williams, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 105 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | B Major | 2 | 1B | 62 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | G Major | 0 | 9B | 132 BPM | ||
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Prince Igor (Knyaz Igor): Act II: Ni sna, ni ordikha (There is neither sleep, nor rest) (Prince Igor) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B♭ Minor | 3 | 3A | 89 BPM | ||
May Night: Sleep, my beauty [Kak tikho, ka prokhladno] (Act III) | Nicolai Gedda, Gervase De Peyer, Belgrade Philharmonic Orchestra | F♯ Minor | 2 | 11A | 88 BPM |