Felix Mendelssohn, London Symphony Orchestra, Peter Maag made "A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns" available on January 1, 2000. With A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Jennifer Vyvyan, Marion Lowe, London Symphony Orchestra, Peter Maag, Female Chorus of the Royal Opera House, Covent Garden's "Mendelssohn: Symphony No.3; A Midsummer Night's Dream" album is number 11 out of 12. A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns by Felix Mendelssohn, London Symphony Orchestra, Peter Maag to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | F Minor | 2 | 4A | 84 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Daniel Barenboim, Berliner Philharmoniker | A Major | 1 | 11B | 167 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25: I. Molto allegro con fuoco | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | G Minor | 1 | 6A | 83 BPM | ||
Jeux d'enfants, Op. 22: II. The Doll | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: I. Allegro moderato | Wolfgang Amadeus Mozart, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 128 BPM |