"Octet In E Flat, Op.20, MWV R20: 2. Andante" by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith had its release date on January 1, 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Academy of St. Martin in the Fields's "Mendelssohn: Octet; String Quintet No. 2" album is number 2 out of 8. Octet In E Flat, Op.20, MWV R20: 2. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Octet In E Flat, Op.20, MWV R20: 2. Andante by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Serenade for Strings in E Minor, Op. 20: 1. Allegro piacevole | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 83 BPM | ||
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Trumpet Concerto in D: 1. Adagio | Georg Philipp Telemann, Håkan Hardenberger, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 72 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro | George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields | D Major | 0 | 10B | 170 BPM | ||
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Sir Neville Marriner, George Malcolm, Iona Brown, William Bennett | E Major | 2 | 12B | 80 BPM |