"Five Variants of "Dives and Lazarus"" by Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1972. Five Variants of "Dives and Lazarus" appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Tallis Fantasia; Fantasia on Greensleeves; The Lark Ascending etc. by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner. The song's track number on the album is #4 out of 4 tracks. Five Variants of "Dives and Lazarus" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of "Dives and Lazarus" by Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Five Variants of "Dives and Lazarus" being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM | ||
Clair de Lune, L.75 (Arr. For Oboe & Orchestra) | Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D♭ Major | 2 | 3B | 80 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Serenade to Music | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Carla Huhtanen, Emily D'Angelo, Lawrence Wiliford, Tyler Duncan, Elmer Iseler Singers | D Major | 1 | 10B | 91 BPM | ||
Le tombeau de Couperin, M. 68: I. Prélude | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E Minor | 0 | 9A | 78 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM |