"Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo" by Hector Berlioz, Daniel Barenboim, Berliner Philharmoniker was released on 1973. Since Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Berlioz: Symphonie fantastique, Op. 14, H. 48, Le carnaval romain, Op. 9, H. 95 & Overture to Béatrice et Bénédict, H. 138 by Hector Berlioz, Daniel Barenboim. The popularity of Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo by Hector Berlioz, Daniel Barenboim, Berliner Philharmoniker is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | C Minor | 0 | 5A | 140 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | ||
Variations On A Theme By Haydn, Op.56a: Theme: "Chorale St. Antoni" | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 62 BPM | ||
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM |