Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"
- テンポ
- 77
- キー
- A♭ Major
- キャメロットミュージックキー
- 4B
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" - Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien 情報
- 音響性
- 99%
- ダンサビリティ
- 21%
- エネルギー
- 12%
- 手段性
- 6%
- 活気
- 15%
- ラウドネス
- 65%
- 話し言葉
- 4%
- 価数
- 32%
- 人気
- 12%
- ラウドネス
- -20.735 dB
まとめ
Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien's 'Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"' came out on January 1, 2001. With Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" テンポ
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" キー
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) | Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker | B♭ Major | 1 | 6B | 118 BPM | |
 | Requiem in D Minor, K. 626: Sequence No. 5: Confutatis | Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik | D Minor | 0 | 7A | 86 BPM | |
 | Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 2 | 8B | 112 BPM | |
 | Requiem in D Minor, K. 626: I. Introitus: Requiem | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 1 | 7A | 82 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht | Ludwig van Beethoven, Nina Stemme, Rachel Harnisch, Christoph Strehl, Falk Struckmann, Christof Fischesser, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 7 | 8B | 125 BPM | |
 | Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | |
 | Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | Wolfgang Amadeus Mozart, Lang Lang, Nikolaus Harnoncourt, Wiener Philharmoniker | F♯ Major | 3 | 2B | 125 BPM | |
 | Matthäus-Passion, BWV 244, Prima parte: Nr.2. Da Jesus diese Rede vollendet hatte (Evangelista, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout | A♭ Minor | 0 | 1A | 98 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E♭ Major | 1 | 5B | 175 BPM |
- ISRC
- DEA800026525
- レコードレーベル
- L-M Records/RCA Records