Ludwig van Beethoven, Nina Stemme, Rachel Harnisch, Christoph Strehl, Falk Struckmann, Christof Fischesser, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado made "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht" available on June 13, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht by Ludwig van Beethoven, Nina Stemme, Rachel Harnisch, Christoph Strehl, Falk Struckmann, Christof Fischesser, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 1 | 4B | 74 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" | Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
Mass in C Major, Op. 86: IV. Sanctus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM | ||
La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 2 | 3A | 85 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM |