"Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners)" by Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker was released on August 23, 2019. Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 23 in the song's album "The Very Best of Beethoven". In this album, this song's track order is #17. In terms of popularity, Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) by Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM | ||
Der Jüngling an der Quelle, D.300 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 174 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH. 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 110 BPM | ||
Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | G Minor | 3 | 6A | 77 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM |