"Requiem in D Minor, K. 626: Sequence No. 5: Confutatis" by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik was released on January 1, 1995. The duration of Requiem in D Minor, K. 626: Sequence No. 5: Confutatis is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Requiem in D Minor, K. 626: Sequence No. 5: Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Peter Marschik's "Mozart, W.A.: Requiem / Ave Verum Corpus / Bruckner, A.: Ave Maria / Locus Iste / Christus Factus Est" album is number 7 out of 18. On top of that, United States appears to be the country where this track was created. Requiem in D Minor, K. 626: Sequence No. 5: Confutatis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: Sequence No. 5: Confutatis by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Magnificat in G Minor, RV 610b: III. Et misericordia ejus (Chorus). Andante molto | Antonio Vivaldi, Andrew Parrott, Taverner Players | F Minor | 1 | 4A | 91 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Boje Skovhus, Cheryl Studer, Sylvia McNair, Lucio Gallo, Cecilia Bartoli, Anna Caterina Antonacci, Carlo Allemano, Istvan Gati, Andrea Rost, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Merope - Act III: Sposa... non mi conosci | Geminiano Giacomelli, Max Emanuel Cenčić | E♭ Minor | 1 | 2A | 123 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365: III. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Malcolm Bilson, Robert Levin, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 104 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM |