"Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger)" by Richard Wagner, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. The duration of Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) is about 3 minutes long, at 3:01. Based on our data, "Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #2 out of 29 tracks. Based on our statistics, Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) by Richard Wagner, Staatskapelle Dresden, Carlos Kleiber has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) being at 139 テンポ, the half-time would be 70 テンポ with a double-time of 278 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade (II) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 139 BPM | ||
Pictures at an Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 93 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivacissimo - Adagio - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 71 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 59 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" | Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 125 BPM | ||
Jeu de cartes (the Card Game): Troisieme donne [Third Deal]: Alla breve - Valse - Presto - Tempo del principio | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | E♭ Major | 1 | 5B | 131 BPM | ||
Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 119 BPM | ||
La Traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 85 BPM | ||
Der Freischütz, J. 277 / Act I: "Schweig - damit dich niemand warnt!" | Carl Maria von Weber, Theo Adam, Staatskapelle Dresden, Carlos Kleiber | D Major | 4 | 10B | 94 BPM |