"Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"" by Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus was released on January 1, 1988. Since Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" by Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 4: Manon, senti, amor mio | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | D Minor | 2 | 7A | 83 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
Tristan und Isolde / Act 2: "Tatest du's wirklich?" | Richard Wagner, René Kollo, Kurt Moll, Staatskapelle Dresden, Carlos Kleiber | D Major | 1 | 10B | 86 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Andrea Chenier: Act I: Signor Chénier? | Umberto Giordano, Plácido Domingo, Renata Scotto, Jean Kraft, Terence Sharpe, Piero de Palma, James Levine | B♭ Major | 2 | 6B | 60 BPM | ||
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Minor | 0 | 6A | 56 BPM | ||
Carmen / Act 3: Carreau! Pique! ...La Mort! | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 119 BPM | ||
Tristan und Isolde / Act 3: "O diese Sonne!" | Richard Wagner, Margaret Price, René Kollo, Staatskapelle Dresden, Carlos Kleiber | A Minor | 3 | 8A | 178 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Manon Lescaut / Act 2: Paga costor! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 74 BPM |