"Tristan und Isolde / Act 2: "Tatest du's wirklich?"" by Richard Wagner, René Kollo, Kurt Moll, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Tristan und Isolde / Act 2: "Tatest du's wirklich?" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #10 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 2: "Tatest du's wirklich?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 2: "Tatest du's wirklich?" by Richard Wagner, René Kollo, Kurt Moll, Staatskapelle Dresden, Carlos Kleiber has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 2: "Tatest du's wirklich?" being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
La Traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 117 BPM | ||
Die Walküre, WWV 86B / Act III: "Schützt mich und helft in höchster Not!" | Richard Wagner, Régine Crespin, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | D Minor | 3 | 7A | 89 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM | ||
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM |